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TV News

 

FX Picks Up Rescue Me for 5th Season

November 2, 2007

 

FX has ordered a fifth season of "Rescue Me," picking up 22 episodes of the Denis Leary drama, reports Variety.

 

Production begins early next year on the season, which the cable channel will split into two cycles. Leary, Peter Tolan and Jim Serpico are back as executive producer-showrunners; the series' cast is back intact as well.

 

"The show has been a great source of pride to FX and remains one of the cornerstones of our respected brand of original series," said FX Networks president/general manager John Landgraf.

 

"Rescue Me," which comes from Sony Pictures TV, DreamWorks TV and Leary's Apostle, has been one of FX's top-rated series, averaging a total audience of 3.2 million adults 18-49 and 4.8 million total viewers with its four weekly telecasts combined.

 

Heroes Preparing Early Season Finale

November 3, 2007

 

TV Guide reports that with the writers strike confirmed to start on Monday, "Heroes" is going back and shooting an alternate ending to the Dec. 3 episode that, if used, would allow the episode to function as a season finale.

 

The magazine says that originally, the episode was only supposed to serve as the conclusion of the current "Generations" arc.

 

Scrubs Finale to be in Limbo?

November 5, 2007

 

The chance for NBC's "Scrubs" to go out on its own terms is being jeopardized by the WGA strike, which could leave the final six installments of the comedy's 18-episode last season in indefinite limbo.

 

"On a personal level, yeah, it would be nice to finish work on 'Scrubs' the way I wanted to," creator-executive producer Bill Lawrence told The Hollywood Reporter. "That it looks like it's not happening is certainly disappointing, I can't lie. But it's also not the end of the world. The last thing anybody wants to hear right now is some idiot saying, 'Hey, I worked really hard on my show, I want to end it the way I want to end it!' It's hard to care right now about any legacy."

 

Lawrence hasn't done much in the way of stockpiling "Scrubs" episodes in anticipation of a writers walkout. There are two scripts written and ready to shoot, "and with a single-camera show, once a script is locked, you have no real rewrites," he said. That will take "Scrubs" up through Episode 12, six episodes short of the ending Lawrence had envisioned for the show.

 

What Does the Writers Strike Mean for Lost?

November 6, 2007

 

Although late-night shows like "The Tonight Show with Jay Leno," "Late Show with David Letterman," "Late Night with Conan O'Brien," "Late Late Show with Craig Ferguson," "The Daily Show with Jon Stewart," "The Colbert Report" and "Saturday Night Live" have already shut down because of the writers strike that started on Monday, primetime shows still have a number of episodes in production before running out of new material.

 

"Lost" fans, who have been waiting a long time for new episodes, will get to see at least eight new ones if the strike continues for a long time. "Lost" executive producer Carlton Cuse told Entertainment Weekly that ABC will soon have eight episodes in the can that it can begin airing after the first of the year. If the strike is prolonged and the writers can't get back to work writing the rest of the episodes, fans are going to be stuck with the kind of stunted season they were forced to endure last year.

"It will feel like buying a 'Harry Potter' book, reading half of it, and then having to put it down for many months," explains Cuse. "There is a cliffhanger at the end of the eighth episode. It will only be frustrating [for viewers] to have to step away from the show and not see the second half of the season.

 

"The first half of the season, like a good novel, sets all the events of the show in motion and the second half deals with the consequences," Cuse continued. "We're very proud of the first eight but it feels weird to have to stop literally mid-stream."

 

Writers, Studios to Resume Talks!

November 17, 2007

 

As studios have started to postpone movie productions and networks continue to shut down due to the writers strike, some good news has finally come in.

 

Late Friday, both the Writers Guild of America (WGA) and the Alliance of Motion Picture and Television Producers (AMPTP) made the following announcement:

 

Leaders from the WGA and the AMPTP have mutually agreed to resume formal negotiations on November 26. No other details or press statements will be issued.

 

Stay tuned for more on this as it develops.

 

Chuck and Life Get Full Season Orders

November 27, 2007

 

NBC has picked up the freshman dramas "Chuck" (Mondays, 8-9 p.m. ET) and "Life" (Wednesdays, 10-11 p.m. ET) for nine more episodes -- or the balance of the 2007-08 season -- it was announced today by Ben Silverman, Co-Chairman, NBC Entertainment and Universal Media Studios.

 

"'Chuck' and 'Life' stand out in a crowded TV landscape because they are smart, well-produced series with incredibly talented casts," said Silverman. "Both shows are hitting their stride creatively, have developed loyal audiences and offer unlimited potential to grow throughout the season."

 

From Rand Ravich (The Astronaut's Wife), Far Shariat (Confessions of a Dangerous Mind), and Dan Sackheim -- who directed the pilot of NBC's "Heroes" -- "Life" is a first-year drama about a detective who is given a second chance. Damian Lewis ("Band of Brothers") stars as complex, offbeat Detective Charlie Crews, who returns to the force after years in prison, thanks to close friend and attorney Constance Griffiths (Brooke Langton), after serving time in prison for a crime he didn't commit.

 

The cast also includes Sarah Shahi (Rush Hour 3) as Charlie's skeptical, demanding partner, Robin Weigart (HBO's "Deadwood") as their hard-hitting lieutenant, and Adam Arkin ("Chicago Hope") as former cellmate Ted Early.

 

"Life" is a Universal Media Studios production. Rand Ravich is executive producer and writer; Far Shariat and Dan Sackheim are executive producers on the series.

 

From executive producer, Josh Schwartz ("The O.C.") and executive producer-director McG (Charlie's Angels, We Are Marshall) comes "Chuck," a one-hour, action-comedy series about Chuck Bartowski (Zachary Levi, "Less Than Perfect") -- a computer geek who is catapulted into a new career as the government's most vital secret agent. When Chuck opens an e-mail subliminally encoded with government secrets, he unwittingly downloads an entire server of sensitive data into his brain. Now, the fate of the world lies in the unlikely hands of a guy who works at a Buy More Electronics store. Instead of fighting computer viruses, he must now confront assassins and international terrorists.

 

With the government's most precious secrets in Chuck's head, Major John Casey of the National Security Agency (Adam Baldwin) assumes the responsibility of protecting him. His partner is the CIA's top agent (and Chuck's first date in years), Sarah Walker (Yvonne Strahovski, "Gone"). They'll try to keep him safe by trading in his pocket protector for a bulletproof vest. Also starring are Joshua Gomez ("Without a Trace") as Morgan Grimes, Chuck's best buddy, and Sarah Lancaster ("What About Brian?") as Chuck's ever-supportive sister, Ellie.

 

Josh Schwartz and Chris Fedak wrote, "Chuck," which is produced by College Hill Pictures, Wonderland Sound and Vision, in association with Warner Bros. Television.

Show News
 

NBC Gives Kings the Green Light

November 2, 2007

 

NBC has greenlit production on "Kings," an modern retelling of the King David story written by Michael Green ("Heroes") and directed by Francis Lawrence (I Am Legend), reports Variety.

 

Green and Lawrence will serve as executive producers, as will 3 Arts Entertainment's Erwin Stoff.

 

"Kings" will be set in a modern city that's a sort of meta-New York City (think Gotham City, but not as dark). The city will is the center of a kingdom financed by a wealthy entrepreneur who's benefited from the constant state of war in the kingdom.

 

The first season plot will have a young solider catapulting to fame via a heroic act that pits him as a David vs. a much stronger Goliath. He'll ultimately end up running the kingdom.

 

Bernie Mac Will be Starting Under

November 9, 2007

 

Bernie Mac is reuniting with Fox, signing on to star in a new comedy from "Drew Carey Show" creator Bruce Helford, reports Variety. The half-hour show -- tentatively titled "Starting Under" -- comes from Warner Bros. TV.

 

The multicamera sitcom will star Mac as a large, opinionated guy who winds up divorced and living with his introverted twentysomething son. What's more, he also winds up working for his son.

 

Helford will executive produce, along with his Mohawk president Deb Oppenheimer. Andy Ackerman is also set as a director-executive producer on the pilot; Mac will serve as a producer.

 

Mac spent five seasons as the star of "Bernie Mac" and is also well known for his standup career as one of the Original Kings of Comedy. He most recently appeared in Transformers and Ocean's Thirteen.

 

Sydney Poitier Joins NBC's Knight Rider

November 15, 2007

 

Actress Sydney Poitier (Grindhouse's "Death Proof," "Veronica Mars") has landed a role on NBC's two-hour movie "Knight Rider," which will serve as a pilot for a possible remake of the TV series about a man and his talking car.

 

The Transformers-inspired sequel centers on Mike Tracer (Justin Bruening), the son of Michael Knight, the character played by David Hasselhoff in the original production.

 

Poitier will play a feisty FBI agent who dislikes Mike.

 

Hasselhoff, Russo Join Knight Rider

November 20, 2007

 

David Hasselhoff is in talks to appear on NBC's "Knight Rider," reprising his role as Michael Knight from the original series.

 

Additionally, "The Young & the Restless" co-star Deanna Russo has landed the female lead in the movie/backdoor pilot opposite fellow soap star Justin Bruening.

 

"Rider," from UMS and Dutch Oven Productions, is a sequel to the 1980s series that centers on Mike Tracer (Bruening), Michael Knight's son who never knew his dad.

 

Burned by his love for childhood best friend and one-time girlfriend Sarah Kamen (Russo), Mike is wasting away in Las Vegas when Sarah reappears and is willing to pay off Mike's gambling debt in exchange for help.

 

Sarah is the brilliant estranged daughter of KITT inventor Charles Kamen, who works as an assistant professor in the engineering department at Stanford. When she receives word from talking-car KITT (Knight Industries Three Thousand) that her father is missing, she and KITT set out to find and recruit Mike.

Buzz/News
 

Bionic Woman, Chuck Get NBC's Thumbs-up

Oct 11, 2007

NBC has issued a vote of confidence to all four of its freshman series by ordering three more scripts for the buzzworthy Chuck and Bionic Woman as well as the less-warmly received Life and Journeyman, Variety reports.

 

Typically, though never guaranteed, additional-script requests are seen as a precursor to a full-season nod. But realistically, who could say no to Yvonne Strahovski?!

 

Bret Michaels Gives VH1 More Love

Oct 11, 2007

Perhaps because Jes, the Chicago barmaid he picked, admiited on the reunion show that she can't handle his rocker lifestyle, Bret Michaels will look for another soul mate in Rock of Love 2, the New York Post reports, noting that a casting call for eligible ladies surfaced Wednesday on MySpace. A premiere date for the second season was not specified, though the MySpace blurb indicates that taping will start ASAP. 

 

Fox's Terminator Activated as Prison Takes Its Break

Oct 17, 2007

Fox at last has given Terminator: The Sarah Connor Chronicles a premiere date: Monday, Jan. 14, 2008, at 8 pm/ET. To make room for the big-screen spin-off, Prison Break will serve up a fall-finale cliff-hanger on Dec. 17, then return four months later on April 14. At that point, just as 24 will, the babes-behind-bars drama will air all original episodes into June.

Ratings

 

Wednesday Ratings: A Truly Phenomenal Drop

Nov 1, 2007

This Wednesday's ratings:

8 pm: Pushing Daisies topped the hour in demos and with 8.58 million total viewers, but with another 900K drop is now down 33 percent from its debut. Placing second was Kid Nation (6.89 mil, down 1.1 mil) followed by NBC's Phenomenon, which averaged 6.18 mil over its two-hour run — a 25 percent plunge from last week's premiere.

9 pm: Criminal Minds led in viewers (14.69 mil, down 230 thou) while Private Practice (11.23 mil, slipping 540K) was No. 1 in demos.

10 pm: CSI: NY led with 13.5 mil (down a hair week-to-week). Dirty Sexy Money (8.38 mil) dipped a bit, while Life (5.75 mil) plummeted 1.1 mil.

 

Thursday Ratings: Grey's Admits More Viewers

Nov 2, 2007

This Thursday's ratings:

8 pm: Survivor topped the hour with 14.3 million total viewers, up a hair from last week. Ugly Betty held steady with 9.9 mil. Behind 5th Grader, the hour-long Earl drew 7.3 mil, down 900K. Smallville (4.31 mil) dipped 200 thou.

9 pm: With CSI (18.75 mil) plunging 1.25 mil from its last fresh outing, Grey's (18.76 mil) gained 800K and seems to have barely edged out the crime drama in total viewers this week (as well as the usual demos). The Office (8.4 mil, -580K) and Scrubs (6.68 mil, -350K) each slipped. Supernatural matched last week's 3.28 mil.

10 pm: Without a Trace (14.6 mil) surged 1.8 mil from last week's baseball-impaired audience. ER followed with 9.07 mil. Big Shots averaged nine mil, wrapping its hour with just 6.8 mil.

 

Friday Ratings: Numbers Adds Another Big Win

Nov 3, 2007

This Friday's ratings:

8 pm: Nipping at Howie Mandel's heels, Ghost Whisperer placed second in total viewers with 9.13 million (dipping 738K), but was No. 1 in demos. Debuting in its earlier time slot, Men in Trees (5.88 mil) was down 626 thou from its last 10 o'clock outing. Fox's Great American Band dropped another 560K to 2.3 mil — that's now half of what CW's Smackdown is averaging from 8 to 10.

9 pm: Women's Murder Club surged 569,000 to 9.47 mil, but was bested by Moonlight (7.57 mil, -991K) in the demos. Friday Night Lights (5.45 mil) slipped 430 thou.

10 pm: Numbers was tops in viewers (9.24 mil, -437K) and demos, while Las Vegas (7.49 mil) edged out 20/20 (7.42 mil) in the race for second.

 

Sunday Ratings: Thanks to the Patriots, CBS Scores Big

Nov 5, 2007

Prime time, shime time. The first Sunday of November sweeps' top program aired in the afternoon: CBS' coverage of the New England Patriots/Indianapolis Colts game averaged a ginormous 22.5 household rating and 39 share. Did I say the day's top program? Pshaw. That was actually the best-rated afternoon regular-season NFL game in decades! Natch, those numbers helped 60 Minutes, which did better in the 18-49 demo than it had in almost two years (a 5.0 rating, 12 share), and Amazing Race, which garnered its best premiere demos since '05 (4.2/9). Also of note: Fox's "Treehouse of Horror" episode of The Simpsons scared up a 5.7 rating and a 13 share in the 18-49 demo, its best showing in about four years, and Desperate Housewives, the night's No. 1 show in the baby-faced demo, earned a 7.0 rating and a 16 share.

 

Monday Ratings: Chuck Spies an Increase

Nov 6, 2007

This Monday, as Dancing with the Stars averaged about* 21.06 million total viewers:

* Damn you, ABC and your 9:45 end times.

8 pm: Both CBS' Mother (8.87 mil, +320K) and Big Bang Theory (9.68 mil, +740K) saw increases. In third was Prison Break (7.84 mil across its two-hour, twist-filled return), followed by Chuck (7.66 mil, which enjoyed the biggest bump of the night, nine percent). The CW's Chris (2.44 mil) was down a hair, while Aliens (1.78 mil) lost 330K (...who are now watching it on Sundays?).

9 pm: CBS' Men (14.08 mil) and Rules (11.02 mil) matched last week's tallies. Samantha Who? preumably did well, but because of ABC's greedy time-shifting shenanigans, who can tell? At 9.83 mil, Heroes dropped another 620 thou. Girlfriends (1.99 mil, -250K) and The Game (2.25 mil, -150K) both dipped.

10 pm: CSI: Miami (14.09 mil) lost 1.1 mil, The Bachelor... no idea, and Journeyman (5.25 mil) shed another 680K.

 

Tuesday Ratings: NCIS Cops Second-best Audience Ever

Nov 7, 2007

This Tuesday at a glance:

8 pm: The final numbers are now in, and NCIS drew its second-largest audience ever — 18.28 million total viewers, adding almost two mil week-to-week. Bones was a distant second with 9.58 mil (up 730K), yet delivered a season high. Behind Biggest Loser was ABC's combo of Cavemen (4.9 mil) and Carpoolers (5.5 mil), each of which plunged some 23 percent. Geek (2.62 mil) gained 350 thou.

9 pm: Dancing with the Stars (16.96 mil) slipped 1.6 mil. (Perhaps those who vowed to abstain after Sabrina's exit meant business?) House surged 920K to 18.07 mil, while The Unit (11 mil) added a half mil. Reaper dipped 120 thou to hit another new low (2.4 mil).

10 pm: SVU (11.75 mil, -410K), Boston Legal (10.97 mil, -790K) and Cane (7.83 mil, -230K) were all down.

 

Wednesday Ratings: CMA Awards a Winner, Bionic Nightmare

Nov 8, 2007

This Wednesday, as ABC's broadcast of the CMA Awards matched last year's audience of 15.9 million total viewers and dominated in the key demos:

8 pm: Kid Nation (7.15 million, up 250 thou) was a distant second, followed by Fox's sitcombo of Back to You (6.38 mil, -520K) and 'Til Death (6.48 mil, -500K). Behind Phenomenon (6.1 mil), Top Model (5.07 mil) gained 350K.

9 pm: Criminal Minds was down a hair, to 14.54 mil. Bionic Woman dropped another 1.34 mil, and at 6.44 mil viewers placed just barely ahead of Kitchen Nightmares (6.36 mil). Gossip Girl held steady at 2.5 mil.

10 pm: CSI: NY drew 12.87 mil, losing the same 630,000 viewers that Life (rising to 6.41 mil) seemed to gain.

 

Thursday Ratings: Without a Doubt, CSI Crossover Pays off

Nov 9, 2007

This Thursday's ratings recap:

8 pm: Survivor topped the hour with 14.9 million total viewers, adding 600 thou from last week. Ugly Betty's wedding had 10.9 mil RSVP, a million-head gain. Behind 5th Grader was NBC's combo of Earl (7.66 mil, +360K) and 30 Rock (6.61 mil, up a Jack Donaghy hair). Smallville (4.6 mil) saw a 290K increase.

9 pm: The CSI half of the Without a Trace crossover drew 21.9 million, a 17 percent increase on CSI's previous audience. Grey's placed second (but tops in demos) with 19.3 mil (up 540 thou). The Office (8.29 mil) was down a bit, while Scrubs (6.36 mil) discharged 320K. Supernatural barely delivered 3 mil, a 280K drop.

10 pm: Tremendously jacked up by the CSI merge, Without a Trace had an audience of 21.39 mil, a 47 percent week-to-week gain. Big Shots (an inflated 8.62 mil) dipped 280K but still bested ER (which sank 650 thou to 8.42 mil).

 

Friday Ratings: J.Love's Ghost Draws the Most

Nov 10, 2007

Friday's ratings recap:

8 pm: Ghost Whisperer (9.93 million) surged 800K week-to-week to not just best Deal or No Deal (for time slot bragging rights) but in fact win the entire night in total viewers. Men in Trees (6.16 mil) was up 280 thou (and how about that cliffhanger?!). Though still in fifth place, The Next Great American Band (2.69 mil) gained 392K.

9 pm: Women's Murder Club was No. 1 in viewers (9.7 mil, up 230K), while Moonlight (7.97 mil, up 395K) was tops in demos. Trailing Lyrics (6.3 mil), Friday Night Lights (5.6 mil) inched up 150 thou.

10 pm: Numbers (9.91 mil) saw a 671,000 increase, while 20/20 (7.044 mil, -376K) and Las Vegas (7.038 mil, -453K) both slipped.

 

Sunday Ratings: Amazing Race Slows Down

Nov 12, 2007

This Sunday, as NBC's coverage of the Colts-Chargers game averaged 14.7 million total viewers (up a half mil from last week's Cowboys-Eagles):

7 pm: CW Now (1.08 million) gained 292K, while this week's Aliens repeat (940 thou) was up a hair.

8 pm: Extreme Makeover placed No. 2 with 11.1 mil, down 1.5 mil. The Amazing Race drew 10.5 mil, a 24 percent plunge from the premiere. Life Is Wild (1.35 mil) inched up 280K.

9 pm: Housewives sacked football in the demos and matched last week's audience of 18.54 mil. Cold Case (12.9 mil) chilled out to the tune of 540 thou.

10 pm: Brothers & Sisters (12.52 mil) gained 270K, while Shark delivered 11.47 mil.

 

Monday Ratings: Heroes Powers Back Up

Nov 13, 2007

This Monday, as Dancing with the Stars partnered with an audience of 21.8 million total viewers (up 740,000 week-to-week):

8 pm: In the No. 2 spot, both CBS' Mother (8.58 mil) and Big Bang (9.39 mil) dipped 290K. Chuck came in third with 7.55 mil (down a hair), while Prison Break's fast-tracked "fall finale" (7.19 mil) dropped 650 thou. The CW's Chris (2.7 mil, +380K) and Aliens (2.2 mil, +440K) both saw gains.

9 pm: Samantha Who? delivered an impressive 14.34 mil, but was down a mil from its last decipherable 30-minute numbers. CBS' Men (14.17 mil) was up a hair, while lead-out Rules (11.53 mil) gained 510K. With an audience of 11.07 mil, Heroes rebounded from its slide with a 13 percent surge and bested ABC in demos. K-Ville sank to 4.73 mil, down 22 percent from its last fresh outing. Both Girlfriends (2.2 mil, +200 thou) and The Game (2.55 mil, +300K) were up.

10 pm: CSI: Miami added 1.27 mil to top the hour with 15.36 mil. The Bachelor (9.16 mil) dropped the same 900 thou that Journeyman (6.22 mil) seemed to pick up.

 

Tuesday Ratings... for Tuesday

Nov 14, 2007

This Tuesday's rundown:

8 pm: NCIS topped the hour with 17.43 million total viewers, an 850K drop from last week's big surge. Bones came in second with 9.11 mil, down 470 thou. Behind Biggest Loser was ABC's combo of Cavemen (4.6 mil) and Carpoolers (5.15 mil), each of which slipped about 300K. Geek (2.43 mil) slipped 190,000.

9 pm: DWTS' results show (you done us proud, Cam!) drew 17.46 mil, a half-mil gain. At 16.9 mil, House was down 1.1 mil (but dominated the demos). The Unit (11.03 mil) and Reaper (2.42 mil) matched last week's tallies.

10 pm: SVU (12.49 mil, +750K) and Boston Legal (11.76 mil, +800K) both saw increases, while Cane (7.3 mil) resumed its slide, losing another 530 thou.

 

Wednesday Ratings: Criminal Minds Leaves Addison Hanging

Nov 15, 2007

Lots to talk about with this Wednesday's ratings, so let's jump into it!

8 pm: Pushing Daisies topped the hour in total viewers (8.88 million) and demos, growing 300 thou from its last fresh entry. Kid Nation (7.53 mil, up 380K) placed second, followed by Fox's Back to You (7.3 mil) and 'Til Death (7.36 mil), each of which gained about 900K. Behind Phenomenon, Top Model (5.35 mil) added 280 thou and hit a season high in demos.

9 pm: Criminal Minds surged 1.16 mil to deliver its largest audience (15.7 mil) since Feb. 7, as well as top Private Practice (11.45 mi, up 220K) for the first time ever in the demos. Kitchen Nightmares drew a series high of 6.98 mil, followed by Bionic Woman (6.3 mil, down another 140 thou). Gossip Girl (2.93 mil) gained 430 thou to enjoy its best outing since the premiere.

10 pm: CSI: NY inched up 170K, to 13.04 mil, and won the demos. Dirty Sexy Money (8.2 mil) dipped 180 thou, while NBC's Life came to life with a 530K increase.

 

Thursday Ratings: CBS Sweeps Another Thursday

Nov 16, 2007

Thursday's tallies at a glance:

8 pm: Survivor (14.76 million total viewers) and Betty (10.73 mil) were both down a hair. Behind 5th Grader, Earl (7.97 mil) gained 310K, but 30 Rock (6.47 mil) slipped 140 thou. Smallville (4.49 mil) dipped 110K.

9 pm: At 21.29 mil, CSI was down 600K from last week's crossover. Grey's placed second with 19.28 mil, but was No. 1 in demos. The Office (8.86 mil) saw a 570 thou increase, while Scrubs (6 mil) dropped 320K. Supernatural (2.89 mil) was down a hair.

10 pm: Trace was on top with 14.49 mil, down an understandable 33 percent from last week. ER surged more than a mil to 9.52 mil, while Women's Murder Club (8.93 mil) bested Big Shots' last tally by 310K.

 

Friday Ratings: Howie Mandel's Deal Can't Be Beat

Nov 17, 2007

This Friday's ratings:

8 pm: With Ghost Whisperer (9.45 million) slipping 482K, Deal or No Deal (10.66 mil) this week topped the hour (as well as the night) in total viewers. (J.Love's demos, though, remain spectacular.) In third, Men in Trees (6.4 mil) inched up 238 thou. Trailing Smackdown, Next Great American Band (2.48 mil) dipped 207K.

9 pm: Women's Murder Club (8.94 mil) plunged 758K, yet still bested demo-god Moonlight (8.2 mil, up 234K) in viewers. At 5.6 mil, Friday Night Lights saw a 360 thou increase.

10 pm: Numbers (10.24 mil, up 329K) was tops in viewers and demos, followed by Las Vegas (6.73 mil, -304K) and 20/20 (6.44 mil, -607K).

 

Monday Ratings: Samantha Who?, CSI: Miami Highs

Nov 20, 2007

This Monday, as Dancing with the Stars drew 23.09 million total viewers (a 1.3 mil week-to-week gain):

8 pm: CBS' sitcoms placed second, with Mother matching last week's 8.55 mil but Big Bang (8.02 mil), now in strike-dictated repeats, quieting down 16 percent. Chuck (7.8 mil) was up 250K, while the CW's Chris (2.15 mil, -550 thou) and Aliens (1.37 mil, -830K) were down.

9 pm: Samantha Who? hit a new series high of 15.43 mil, gaining a mil-plus week to week. Both CBS' Men (14.46 mil, +290K) and Rules (12.17 mil, +640K) saw gains. After last week's bump, Heroes (10.73 mil) dipped again, and K-Ville (4.7 mil) showed no movement. Girlfriends (1.8 mil, -400 thou) and The Game (2.37 mil, -180K) slipped.

10 pm: CSI: Miami added 860 thou to hit a season high of 16.22 mil. The Bachelor finale surged 26 percent to 11.6 mil. Journeyman (5.75 mil) dropped another 470K.

 

Monday Ratings: Dancing's Big Jump, Chuck's In Luck

Nov 27, 2007

This Monday's ratings:

8 pm: Dancing with the Stars drew 24.74 million total viewers, a week-to-week increase of 1.65 mil and a 25 percent improvement over last season's final performance night. Chuck placed second with 8.36 mil, its largest audience since Oct. 1 and its best demos since the series premiere. How I Met Your Mother (8.07 mil) dipped 480K. The CW's Chris (2.28 mil, +130K) and Aliens (1.89 mil, +520K) each saw gains.

9 pm: CBS' Men (15.3 mil) was up 840 thou, while lead-out Rules (11.6 mil) dropped 570K. Samantha Who? (12.63 mil) was down 18 percent, and new lead-out Notes from the Underbelly only held onto 8.25 mil. Delivering 11.86 mil, Heroes soared 11 percent to an eight-week high. Girlfriends (2.28 mil, +480K) and The Game (2.8 mil, +430K) both were up.

10 pm: CSI: Miami was on top with 15.45 mil, a 770K drop. Journeyman (6.18 mil) edged out October Road (six mil), which shed 360 thou from last Thursday's season premiere.

 

Tuesday Ratings: House Is On Top

Nov 28, 2007

Tuesday's ratings:

 

8 pm:

NCIS... 17.06 mil, down 320K

Charlie Brown Christmas... 13.56 mil (tops in demos)

Bones... 9.62 mil, up 1.1 mil

Biggest Loser... 6.93 mil (first hour)

Geek... 2.52 mil

 

9 pm:

Dancing with the Stars results show... 24.93 mil, up 20 percent week-to-week and up 10 percent from last season's finale

House... 16.88 mil (tops in demos)

The Unit... 10.48 mil, down 220K

Biggest Loser... 7.57 mil

Reaper... 2.26 mil

 

10 pm:

SVU... 12.29 mil, up 530K

Cane... 6.46 mil, down 1.18 mil

 

Wednesday Ratings: Shrek Ogre-powers the Competition

Nov 29, 2007

Here are this Wednesday's numbers:

8 pm: Welcoming 21.07 million total holiday guests to the swamp, ABC's Shrek the Halls special was far, far and away the night's most-watched program and tops in demos. Lead-out Grinch didn't flinch much, holding onto 18.74 mil of that audience. NBC's Rockefeller tree special did nine mil, followed by Kid Nation (7.3 mil), a pair of 'Til Deaths (six mil) and Top Model (5.03 mil, up 1.4 mil).

9 pm: Criminal Minds topped the hour with 16.26 mil (up 440 thou), and was No. 1 in demos. Bolstered by the 'toons, Pushing Daisies was up 2.6 mil, to 10.18 mil. Kitchen Nightmares (seven mil) hit an all-time high, while Bionic Woman's season (series?) finale fell just shy of six mil, shedding another 300K. Gossip Girl flirted with three mil, its second-largest audience to date.

10 pm: CSI:NY dropped 330K but led the pack with 14.03 mil. Dirty Sexy Money (see Cheers & Jeers) followed with 7.15 mil (up 630K), while Life (6.26 mil) slipped 670 thou.

 

Thursday Ratings: Survivor Snuffs Many, Many Repeats

Nov 30, 2007

Not much to look at here, kids, with sweeps over and precious little fresh fare to be had. But just out of habit, some digits:

8 pm: Survivor: China was the night's most-watched program, with 13.8 million total viewers (a 1.4 mil increase over Thanksgiving night).

9 pm: Both My Name Is Earl (6.6 mil, down 17 percent) and 30 Rock (5.8 mil, down 670 thou) took hits. Scrubs (5.9 mil) was down just a hair.

10 pm: In the 10 o'clock hour, a Without a Trace repeat (9.86 mil) topped a fresh ER (8.62 mil), which in turn made mincemeat out of ABC's increasingly less-Big Shots (now down to barely six mil). Hurry, Charisma!

Q&A

 

Drew Carey Clears the Air About His New Game-show Gigs

Tuesday, August 7, 2007

 

Whose line of work is game-show hosting anyway? Drew Carey's, it seems. The funnyman, eponymous sitcom vet and improv genius has scored not one but two plum gigs in short order, first being named to front CBS' Power of 10 prime-timer (premiering tonight at 8 pm/ET, then airing Wednesdays at 8), and then getting the nod to succeed Bob Barker as The Price Is Right's head cashier. In this TVGuide.com Q&A, Carey sheds light on his good fortune, sets straight some wild rumors and shares his take on a scandal that has him barking mad.

 

TVGuide.com: Power of 10 — is it more Card Sharks or Family Feud?
Drew Carey:
Neither one. This is what we have in common with Family Feud: a type of poll was taken. [Laughs] Pretty thin thread. And Card Sharks, I can't even remember that show.

 

TVGuide.com: That was like, "We asked 100 hairdressers if they would cut their own hair. How many of them said yes?"
Carey:
Oh... Our survey is so big, it's a scientific survey, and the money is so huge.... I don't think it's like any other show.

 

TVGuide.com: Watching those shows as a kid, I always felt the polls were bogus, that they made the numbers up out of thin air.
Carey:
For Power of 10, you can look at the methodology at CBS.com, it's a company called Rasmussen Reports. We poll thousands and thousands of people for each question, a real cross section of the United States.

 

TVGuide.com: But, alas, no Canadians are getting polled?
Carey:
No. [Laughs]

 

TVGuide.com: Give me some examples of questions asked.
Carey:
"What percentage of Americans think they're smarter than President Bush?" "What percentage of white Americans would never vote for an African American as president?"

 

TVGuide.com: Even if it was David Palmer on 24?
Carey:
Even if it was Barack Obama.

 

TVGuide.com: I find one of these other new game shows, Don't Forget the Lyrics, to be overly complicated. Would you say that Power of 10 is lean and mean?
Carey:
It's very simple. You can only be off by so much, and the amount you're allowed to be off by gets smaller and smaller as the money goes up. Only five correct answers gets you $10 million.

 

TVGuide.com: So no swirling spotlights and pulse-pounding music?
Carey:
Oh, we're going to put the pressure on them with sound effects and lights, and we ask the audience what they think, we let them talk to their friends, to me.... I don't know the answers so I can like try to influence them one way or another. We're offering $10 million, but we're not giving it away, man! [Laughs]

 

TVGuide.com: I understand a bit of retooling happened after the pilot was shot?
Carey:
Only the two-player part of the show, where you have to eliminate another person to play for the money. That's been tweaked in a minor way. And they're doing stuff with the graphics. That kind of stuff.

 

TVGuide.com: When you were a younger fellow, were you ever a game show contestant?
Carey:
No. I tried out for Jeopardy once, when they came to Cleveland, but I didn't make it. It doesn't matter how smart you are, to audition for Jeopardy, you just have to luck out and know what they're asking you that day.

 

TVGuide.com: I auditioned for MTV's Remote Control back in the late '80s, and that was a bitch, man. The show was goofy, but the audition was rough.
Carey:
Was it? Well, you can't just be smart, you have to be perky and be able to walk and talk and not throw up on camera....

 

TVGuide.com: I'm not even going to form a fancy question here, I'm just going to ask for your latest sound bite regarding the whole Price Is Right thing. [CBS did not officially announce Carey as host until the day after this interview.]
Carey:
I'm in talks with CBS, and we'll see how it goes.

 

TVGuide.com: I wrote in my blog that the job should ultimately go to the "winning" host's publicist.
Carey:
[Laughs] You know what, that whole Rosie O'Donnell thing started when somebody put Bob Barker on the spot, asking him [at the Daytime Emmys] about Rosie, and one of your writing brethren put, "Bob Barker Endorses Rosie O'Donnell!" That is not the conclusion you would come to [based on what Barker said], but that is what everybody did.

 

TVGuide.com: Sometimes being diplomatic bites you in the ass.
Carey:
No, sometimes reporting gossip as fact and drawing conclusions from things that aren't there bites you in the ass. It's not Bob Barker that did it, it's all the sloppy reporting that's out there in the entertainment world. That's the culprit. I know that a lot of guys are really conscientious and do a good job, but you know better than anybody that some of these people shouldn't even be working.

 

TVGuide.com: I can think of one news blog off the top of my head that is a veritable mouthpiece for publicists, I can practically hear the flacks feeding the writer his column.
Carey:
I can think of 10 magazines like that! [Laughs] It gets ridiculous sometimes.

 

TVGuide.com: We keep hearing about the Price Is Right host "audition tapes"....
Carey:
There is no audition tape, dude. Do you honestly think that if they're looking for somebody to take over Price Is Right, they're going to say, "Oh, we have to see what this guy looks like on camera first"? Or they're going to bring in test audiences and wheel out these games to see if they can do it? They already know if a guy can do it or not.

 

TVGuide.com: There was another story that your TPIR fate was reliant on how Power of 10 opened.
Carey:
I was offered Price Is Right after they saw the Power of 10 pilot.

 

TVGuide.com: OK, last question: Where do you stand on spaying and neutering?
Carey:
Absolutely. Very for it.

 

TVGuide.com: Maybe even do it twice to the pet for good measure?
Carey:
[Laughs] I think if I do get Price Is Right, I'll keep saying that at the end of the show and carry it on. [Going off on a tangent] Hey, listen, are you going to boycott the NFL if Michael Vick plays? [In mid-July, the Atlanta Falcons star was indicted by a federal grand jury on charges of sponsoring a dog-fighting operation so grisly the losing dogs either died in combat or were electrocuted, drowned, hanged or shot.] If he plays, I'm not only going to find someone with picket signs, I'm going to join the picket and if I have time and my travel schedule allows, I'm going to picket the stadium if I can. After what happened with the Duke guys, I don't want to be rushing to judgment, but even if a little bit of it is true, if he knew what was going on and he didn't step in, f--k him. Get rid of him. If he did nothing, and silence is consent, f--k him, man. And f--k the NFL. Honestly. If they think they can wrap themselves in the American flag and sing the National Anthem twice and think we'll forget this, when guys are getting arrested for beating their wives and killing dogs.... We're supposed to go, "Oh well"? F--k you. It makes me so mad. And on that note...!

 

Masi Oka on Heroes

August 14, 2007

 

Superhero Hype! took the opportunity recently to participate in a conference interview with Masi Oka. The "Heroes" star gave us a little insight on what viewers can expect to see in the show's second season which premieres on September 24th at 9 pm.

Masi also talked about the "Heroes: Season 1" DVD that will be out this August 28th. Cast members of the series will be going in three different groups on an international tour to promote the new DVD release. The actors traveling to New York, London, Paris, Munich,

Tokyo, Hong Kong, Singapore and Toronto will also encourage the public to watch the show's upcoming new episodes and adventures on TV.

There are six Emmy nominations for the show "Heroes." Masi and Tim Kring (creator of the show) each have a nomination bringing the total to eight. Without giving away all the surprises in the second season, Masi, enthusiastic as always, answered some of the questions that we want to know.

Q: Last year you said the only drawback to your job was that when Hiro teleports himself all that intense staring and head rattling wears you out. You said, "If we are fortunate enough to have a Season 2; I might have a brain aneurysm." Have you guys done anything to spare you of that fate?
Masi Oka: Not really. It's become such an iconic gesture that we will continue to be doing it. And in fact I think there's more of it now.

Q: What seems to make the character unique is that with all these reluctant heroes, Masi, you play the world's one not reluctant hero. What were your thoughts when you first read that concept.
Oka: I thought it was phenomenal... Tim Kring created an amazing, beautiful world with such rich characters. Hiro embodied the sense of the 'every man' in many ways -- and how we all dreamed as a kid of wanting to be a superhero. And he's someone who kept his dream. He believed in it, believed in it, believed in it – and finally his dreams came true. To be able to live that -- live vicariously of his dreams -- of my dreams-- of becoming a superhero through his dreams, it's just fantastic. And I'm just very fortunate to have been part -- and having Tim entrust me with the character.

Q: Masi, I was wondering how much fun have you had working with George Takei--and how much more of that will we see this season?
Oka: Oh, George Takei was phenomenal to work with. He's just such a generous – not only a generous actor, but a generous person. He's an icon in every aspect of Asian-American TV and American cinema. You have your "Star Trek", everything -- you learn so much from him. And if you were to ask George Takei he would say, "Well, I found working with Masi to be quite an experience. He's quite a young and talented individual. And it's nice to see the sci-fi generation get passed on from the older to the younger – and the legacy being kept alive. Ha ha ha."

Q: The DVD release, I guess, is going to come out at the same time as a lunar eclipse. Doyou hope this DVD brings some new people to the table for the American audience?
Oka: Season 2's about new storylines – that, the whole idea – it's a new beginning for everyone, so that people who haven't watched the Season 1 -- can also catch up through the DVD, but you also just jump in to Season 2 and watch it from there as well.

Q: Congratulations on your Emmy nominations. I'm going to ask what do you think of your Emmy chances, and what could a few wins do for the show?
Oka: Well I'm just definitely floored and humbled. And I'm definitely proud of our nomination. Personally, it's definitely an honor -- to have Tim entrust us with his characters, and be able to work hard -- to make sure I now portray the character in the best way possible that kind of enables him to be approachable -- and kind of the average 'every man' that viewers can imagine themselves being. And to be part of this ensemble is just absolutely amazing and a gift. And to have an Emmy -- just like an Emmy nom is definitely a cherry on top. So the nomination is fantastic. And we're all proud of it. And just really proud to have our Emmy nom kind of like reflect the hard work that we've all put in on the show.

Q: On the TCA tour of the set of "Heroes," the special effects guy said that you help them out on occasion with several technical issues. Can you talk about how nice it is to go back and forth -- between your creative side of acting and your technical side? And also, if you can recollect your very first job in the TV business.
Oka: Well, definitely it's really nice to be able go back. I have a lot of respect for what goes, not only in front of the camera, but what goes on behind the camera. I remember spending months and months just to get about 200 frames out and what it takes. A show is as good as its weakest link. Whether it's from the caterers, the effects folks -- we have fantastic people all around. Our effects folks are doing a bang up job. And it's great to be able to just talk to them on the set and just say, "Hey, why don't we try to -- how do we (hot) archive this matte process?" or "Where do we need to put -- particles to work?" or "Where's the 3-D virtual…" You know, it's really cool to be able to talk that on the set -- and have kind of camaraderie there. And recalling my first TV job in Los Angeles was actually for a pilot called "Straight White Male" It was for the FX Channel and it was a pilot that didn't get picked up. But I recall it pretty well, because that actually -- getting that job allowed me to fulfill the contract I had with ILM at that time and allowed them to agree for me to stay in Los Angeles and continue working for ILM in a telecommuting capacity, while pursuing acting down in Los Angeles. So that was definitely a memorable role for me.

Q: I wanted to know were you expecting the Emmy nominations at all? Masi, did you think maybe the show would be nominated? Or were you just really completely stunned?
Oka: Well, I guess a big thank you to Tim -- for actually everything. I was pretty confident the show would get nominated. We were so confident that I was hanging out with Zachary Quinto that night. And we were going to stay up all night and watch the announcement so we could definitely kind of share the glory together. And unfortunately, we fell asleep, but we had a very nice wake up call -- let's put it that way.

Q: The way that Season 1 ended was just such a cliffhanger, and it sort of preps us for Season 2. What has it been like to film Hiro's storyline for this season?
Oka: Season 2. Yes. Oh we're deep into production. We're moving at a really fast pace. We're almost starting Episode 5, I believe -- or we may have started. The filming has been fantastic. The location looks phenomenal. It looks great. It looks like feudal Japan. You wouldn't have guessed that it's Ventura County. But it looks like feudal Japan. The scout people found an amazing place. And it's been so fun working with David Anders and Eriko Tamura. They are the main focus in my -- in Hiro's feudal Japan storyline. We've been having a great -- lots of fun -- lots of action and drama. So it's been great. And I know I'll be in feudal Japan for -- Hiro will be in feudal Japan for a handful of episodes.

Q: Now Masi, I was wondering was there anything new in the future in the second season concerning your character-- or anyone else's -- or even an event -- that surprised you?
Oka: Oh gosh--so many things. Every week's always a surprise. The writers have – before actors, we're big fans of the show. And we just can't wait to read the scripts. And that is even more so in Season 2. They keep -- you think, "Oh, how can they really top...?" Well, we're now trying to top, I guess, last season. How can they top, like, the week before? It'sjust amazing because the writers always find a way to surprise us and put smiles on everyone's faces. It just puts us on the edge of our seats, just wanting to know what happens next. I'm going to leave you wanting to know what happens next.

Q: I just want to talk a little bit about the DVD. Are you and Tim Kring fans of DVDs and were you sort of scheming on that from the beginning? Or did you sort of realize that once the show took off; you were going to have to produce one?
Oka: Yeah, DVDs are great because it gives us an opportunity to give fans more as well. Not only just recap the episodes they've seen, but there's like 50 deleted – extended and deleted scenes. We even have the 72-minute premiere of our pilot episode. "Heroes" is a great success online through the iTunes, but even those fan bases -- they can have extra value by purchasing the DVD. Because, first of all, it's like a huge seven box set. You get to see the behind the scenes things, the making of Tim Kring's commentary on the 72-minute pilot that we premiered at Comic-Con. And there's also like – yesterday I got a chance to see the DVD content. And there's some really cool stuff in there with the special effects -- in particular, the scoring. I think Wendy and Lisa are absolutely amazing what they do for our show. And to get even -- sense of insight into that process was so enlightening. They're always, like, the "unsung heroes"... in many ways because what they add to this -- without them, the show just doesn't stand. What they add is so subtle and you don't see it, but you hear it. Well of course you hear it. What they do is absolutely amazing and it enhances the show and experience. And to get an insight of that I learned so much just watching that segment. The 50 deleted scenes are really awesome, by the way.

Q: I was wondering -- what was your experience like at this year's San Diego Comic-Con?
Oka: It was absolutely amazing. Just to go back -- it was a homecoming – it's kind of like winning the Super Bowl and going back to your home city. And it was just a great parade and celebration of the phenomenon that we've all created together -- the fans, the writers, the cast. For me it was like -- because of that, it was an homage back to the – our first appearance there. I wore the "Hayden Is My Hero" t-shirt, because that's a throwback in appreciation -- a show of appreciation to the roots. It's where Comic-Con -- that's where we started. And it was just so phenomenal. I was there from Thursday night. And I even got a chance to walk through the floor and interact with some of the fans. And it's justgreat. There's so much love and so much passion for our show. And just to be a part of that celebration -- it was phenomenal to be a part of that.

Q: People have been mentioning that "Heroes" is kind of a mirror held up to the core audience -- a mass of fans could have been the driving force. What are you a fan of? What really gets you up and get going? What are your hobbies? What do you love getting into? And either collecting or just enjoying out there?
Oka: Oh, I'm trying to think what I'm -- I'm enjoying life right now. There's so many -- I get to meet so many great people. That's -- I guess what I'm really passionate about these days -- just to be able to work on a great show, first of all. But then from there, I also get to meet great people, whether it's my cast, the writers -- just going down the street, the fans. And it's just really cool. Experiencing life right now is what I'm passionate about.

Q: Hi. Masi, I saw you at Comic-Con. I didn't get chance to say hi. But I did see you. One of my co-workers who didn't have a press pass was all jealous and she was saying, "This is the guy I want to marry." And I'm just wondering in the last year—are you getting all sorts of marriage proposals or something from fans of the show? Have you been getting strange letters and with pictures in various states of dress and such?
Oka: Various states of dress -- I've definitely gotten a couple pictures where they're over-dressed with a lot of different costumes. I got to meet a lot of them at Comic-Con. But I have gotten a handful -- a number of marriage proposals over the mail. I'm not quite sure how to react to them. I can understand -- I'm a big believer in love at first sight. But marriage at first sight might not be a wise thing to do.

Q: Masi, your character over the last year or so has kind of become the quintessential coolest geek around. So how have you felt kind of building this character? Do you feel like you're giving geeks out there some street creed for the masses?
Oka: Oh yeah, if I can represent the geeks -- I'm very fortunate to be able to do that. For me, the notion of a geek has always been someone who's passionate about something--whether it's computers, ant farms or musicals, or storytelling or paperweights--whatever it is. Anything you're passionate about something -- and that's what makes us human. It defines us as individuals. It gives us our uniqueness. And I think it's more human -- it's more us. It's more commendable to be a geek -- and be passionate about something – than to be apathetic about everything.

Q: Masi, we see in the first season two wildly different aspects of Hiro. He's – there's this sort of young and enthusiastic and a little bit naïve early Hiro. And then we see the future bad-ass Hiro. Can you talk a little bit about the challenges of creating a character who goes through such a change that we don't get to see? And if it doesn't spoil too much, can you tell us if we're going to get to see more of future Hiro in Season 2?
Oka: Regarding the second question -- I don't know yet. That's more of a Tim (Kring) question. The first question -- there's definitely a lot of challenge in it. It's actually a gift that the writers gave me -- to throw this future Hiro in when we first saw him on Episode 4 in the subway. Anytime when you play a character that's so different -- it needs a lot of back story and preparation. And the writers gave me just enough information to know what that character needs to go through. I was just fortunate and so grateful that the writers trusted me by giving me this gift. And it was fun. It was definitely fun to play it. Although I have to say future Hiro in Episode 20 -- when he went five years into the future -- was kind of a pain to work with because he would never show up on set. Every time I work with him -- he wouldn't even show up. He would say, like, "Here. Use a blue screen instead of me." He wouldn't even be there for our lines -- he would record his dialogue and then have it played. So I've never actually met future Hiro in person. I'm sure he's a nice guy. But I don't know -- I guess after five years, all that fame gets into his head.

Q: It sounds like maybe you are almost as in the dark about future Hiro as the audience was.
Oka: Yeah, he's quite an enigmatic character.

Q: Obviously the show is very much based on the ensemble. With such a large cast, even from Season 1 -- moving into Season 2, with all the cast additions how are the new characters informing Hiro?
Oka: I guess with regards -- well right now in Season 2, I'm in feudal Japan -- Hiro's doing a lot of stuff in feudal Japan. So the characters he interacts with are going to be in feudal Japan. So we don't know how that affects – unless, I guess -- Hiro could theoretically take people back into present day. I don't know the storyline unfortunately. But as far as I know I'm in feudal Japan.

Q: When in Season 2 can we expect Hiro to fight a dinosaur? Will it be CGI or animatronics? And Masi, how do you feel about the showdown?
Oka: I'm still holding on to hope that when we get enough -- a really big budget, Hiro goes back into the prehistoric era.

Q: Right, back to the Jurassic era.
Oka: Well maybe "Heroes" the movie, when we have a budget for that. I could ask ILM – we have the "Jurassic Park" models that we could use.

Q: You briefly discussed the loads of bonus features that are going to be on the DVD. With all that the fans have to choose from what would be the one bonus feature that you would recommend starting with? What's your favorite?
Oka: Hmmm. For me, out of the uncut premiere 76 minute episode, the deleted scenes and making of documentary, special effects documentary, the stunts documentary, the profile of artist Tim Sale documentary and the score documentary -- even though I'm a special effects fan, I was really intrigued by what they had to show. I was actually a big fan of the score documentary, because they showed a lot of cool stuff that I've never been -- I never knew was going on. And as I said, Wendy and Lisa's process, and what they contribute to the show, is really unsung and absolutely fascinating. And that for me was worth it.

Q: Hey, you mentioned the possibility of a "Heroes" feature film with the "Heroes" branching out into so many different mediums.
Oka: That was a joke on my part.

Q: Yeah, I realize it was a joke. But it almost seems like a natural place for this to end up at some point. Is it anything you guys have considered or discussed in any way?
Oka: Well, with what "The Simpsons Movie" did, Universal might get some ideas.

Q: After 14 years.
Oka: There you go. If you want a "Heroes" movie, please keep us afloat for another 14 seasons.

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